I see that my colleagues Lou Lumenick and Kyle Smith differ on Ridley Scott’s “Robin Hood.” I’d like to offer my opinion, but that would mean spending a small fortune seeing it at some multiplex — along with noisy commercials and trailers and an audience that insists upon talking while the movie is on. I’ll spend my weekend at a civilized theater like the Anthology or the Walter Reade or the Film Forum, where film is treated like art not a quick way to make money.