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The year in scripted television provided viewers with many memorable moments — and characters.

Here are our favorite series characters, spanning several genres and broadcast platforms, who made watching their shows really interesting.

George Cooper, “Young Sheldon” (CBS) | Lance Barber

Darren Michaels/Warner Bros. Entertainment Inc. Darren Michaels/Warner Bros. Entertainment Inc.

This good-natured, hangdog, well-intentioned dad elicits empathy in trying to understand his boy-genius son, Sheldon (Iain Armitage) and the rest of his wacky, unpredictable family, who he loves dearly. But don’t underestimate him — he can fire off a zinger with the best of them.

John Meehan, “Dirty John” (Bravo) | Eric Bana

Oozed creepiness and menace from the get-go — and the ride got even scarier as each episode unleashed a bit more of Meehan’s cold, calculating cruelty as it seeped through his facade of psychotic cheerfulness into open warfare that spelled his doom.

Alexis Rose, “Schitt’s Creek” (Pop) | Annie Murphy

PopTVPopTV

A character who started out as a rich, self-centered, spoiled Kardashian-like caricature is still … self-centered and spoiled, but has lost her Kardashian-ness and is now much more human: lovable, funny and, yes, even sensitive at times while acclimating to life in the podunk town of Schitt’s Creek. Catchphrase: “Ewww, David!”

Aunt Lydia, “The Handmaid’s Tale” (Hulu) | Ann Dowd

This sadistic, fanatical, middle-aged pedagogue — who delights in physically and mentally torturing the enslaved young women of Gilead — has shown some cracks in her evil veneer of late. But in a weird way, she’s the most riveting, fascinating character living in this show’s bleak, dystopian universe.

Lenu and Lila, “My Brilliant Friend” (HBO) | Margherita Mazzucco (Lenu) and Gaia Girace (Lila)

Margherita Mazzucco (left) and Gaia GiraceEduardo Castaldo/HBOMargherita Mazzucco (left) and Gaia GiraceEduardo Castaldo/HBO

The sisterly friendship of these bffs in a small, insular Italian town is colored by a range of emotions ranging from love to jealousy — and underscored by Lenu’s astute observations of the enigmatic Lila via her intermittent voiceover narration.

— Michael Starr

Villanelle, “Killing Eve” (BBC America) | Jodie Comer

Courtesy of BBC AMERICACourtesy of BBC AMERICA

This assassin can be vicious — killing a man with one thrust of her poisoned hat pin into his eyeball — or perversely funny, mimicking a child eating a bowl of ice cream and then knocking over the dessert as she sashays out of the restaurant. And has a cold-blooded killer ever been so chic in keeping viewers intrigued?

Pray Tell, “Pose” (FX) | Billy Porter

JoJo Whilden/FXJoJo Whilden/FX

This emcee at competitive drag balls has the oratorical skills of a Harlem preacher, the merciless eye of a fashion critic and the ability to eviscerate with one lash of his scythe-like tongue. A mesmerizing mixture of old-fashioned showbiz pizazz and vulnerability.

Heidi Bergman, “Homecoming” (Amazon) | Julia Roberts

This waitress at a rundown diner lives with her mother and doesn’t remember her previous life as a caseworker at a facility that pretends to help US veterans to transition back to civilian life. Heidi was moving in her moral ambivalence and memorable in her rebellion against a sinister Department of Defense and her connection to a soldier (Stephan James) she was fond of.

Darlene Snell, “Ozark” (Netflix) | Lisa Emery

Jackson Davis/NetflixJackson Davis/Netflix

Never cross this backwoods woman, who blew the head off a drug cartel kingpin for calling her a redneck and, in Season 2, poisoned her husband, Jacob (Peter Mullan), for making a deal to turn over some of their land for the construction of casino. Scary and utterly unpredictable.

Tilly Mitchell, “Escape at Dannemora” (Showtime) | Patricia Arquette

The real Tilly Mitchell is doing time in the Bedford Hills Correctional Facility for her role in the upstate prison escape of David Sweat and Richard Matt. As a character in Ben Stiller’s Showtime series, she was a naive, conniving operator driven by frustration, lust and boredom to do insane things while putting her own life in jeopardy — making her inadvertently fascinating.

— Robert Rorke

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