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An artist in Ireland creates mind-blowing optical illusions out of sand — and then watches them wash away.

Manuel Frolich enjoys going to the beach, but he doesn’t just lounge around like most people. He instead creates masterful — if temporary — pieces of art in the sand.

Manuel has always been interested in art, but in the late 2000s picked up a piece of driftwood on a beach and began to sketch with it. 

From there, his habit took off, and he made designs in the sand whenever he would visit the beach with his children, he told Media Drum. Then, in 2014, he created his first large drawing, which was about 164 feet in diameter. 

After finishing his first creation, he rushed up to the top of a cliff to take a photo and was inspired to continue creating art.

“I start at the desk, first playing around with design ideas, only using a ruler and compass,” Frolich told Media Drum.

“Once a drawing is complete [on paper], I work out a geometrical construction plan for the beach, which is highly important, as I have only limited time between the tides,” he explained to Media Drum.


  “I start at the desk, first playing around with design ideas, only using a ruler and compass,” Frolich told Media Drum. mediadrumimages/manuartireland “I start at the desk, first playing around with design ideas, only using a ruler and compass,” Frolich told Media Drum. mediadrumimages/manuartireland

  “Every single step is a joy of its own,” artist Frolich said. mediadrumimages/manuartireland “Every single step is a joy of its own,” artist Frolich said. mediadrumimages/manuartireland

  “The outlining can take up to three or four hours before the actual drawing takes place,” he said of the process for creating his intricate designs. mediadrumimages/manuartireland “The outlining can take up to three or four hours before the actual drawing takes place,” he said of the process for creating his intricate designs. mediadrumimages/manuartireland

Frolich sketches his pieces beforehand to visualize and plan out how to create his concepts in the sand.

“It is exciting to see a design growing on paper until it reaches its final version. I usually mark and shade the finished piece with markers to copy the raking effect that I plan to do on the beach. 

“To work out my mathematical plan is tricky and time-consuming, but when it’s all ready for the beach, this construction doesn’t leave my mind until it’s finished on the sand,” he added. 

He then spends around four to six hours raking sand to complete each dazzling creation.


  Manuel Frolich makes stunning designs in the sand that boggle the mind. mediadrumimages/manuartireland Manuel Frolich makes stunning designs in the sand that boggle the mind. mediadrumimages/manuartireland

  He designs all his pieces on paper before heading to the beach to begin his creations. mediadrumimages/manuartireland He designs all his pieces on paper before heading to the beach to begin his creations. mediadrumimages/manuartireland

  Frolich spends hours masterfully raking sand and embellishing the landscape. mediadrumimages/manuartireland Frolich spends hours masterfully raking sand and embellishing the landscape. mediadrumimages/manuartireland

  “To work out my mathematical plan is tricky and time-consuming,” he said of his artistry. mediadrumimages/manuartireland “To work out my mathematical plan is tricky and time-consuming,” he said of his artistry. mediadrumimages/manuartireland

“On the beach, I start with the tide going out, taking measurements and finding construction points, always using the same four tools; measuring tape, a bamboo stick, string and a set of different rakes,” he explained.

“The outlining can take up to three or four hours before the actual drawing takes place.  Some people claim I would use dark sand to create my designs, but no, it’s just raked sand.”

Frolich also takes advantage of the tide as the water washes ashore to help him create his art.

“I do need the tides to draw. Tidal sand contains a lot of moisture, it is dry and bright on the surface, and when I rake it, the wetter, and therefore darker, sand comes up and creates a beautiful contrast, this is how I draw,” he said.

“After finishing a drawing, I instantly launch the drone; the first look on the screen is another big joyful moment, the first glimpse to see if everything worked out the way I wanted it to happen.”


  Frolich designs his spectacular pieces beforehand to plan out how to bring them to life. mediadrumimages/manuartireland Frolich designs his spectacular pieces beforehand to plan out how to bring them to life. mediadrumimages/manuartireland

  A bird’s-eye view — including a human for perspective — shows this creation’s mammoth size. mediadrumimages/manuartireland A bird’s-eye view — including a human for perspective — shows this creation’s mammoth size. mediadrumimages/manuartireland

  He always rushes to find a vantage point to capture his beautiful artwork before it’s washed away by the waves. mediadrumimages/manuartireland He always rushes to find a vantage point to capture his beautiful artwork before it’s washed away by the waves. mediadrumimages/manuartireland

  Frolich finds it soothing to watch his art be washed away by the rising tides. mediadrumimages/manuartireland Frolich finds it soothing to watch his art be washed away by the rising tides. mediadrumimages/manuartireland

Eventually, the tides come and wash away his work. People often ask Frolich if he minds his stunning creations disappearing into the sea, but he claimed he “never” does.

“Every single step is a joy of its own,” he declared. “The next big moment is the incoming tide reaching and slowly erasing the drawing.”

The tranquil artist described watching the tide slowly erase his work as “a soothing moment,” adding that he actually feels “thankful that nature provides all of these big blank canvases, even if only for a short time,” he said.

“Having all drone images done is like my drawings will live on forever in some way, and therefore, I’m pleased to see it go,” he added. “Something gets vanished that will never appear again.”

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